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John and Nora Wise Papers

 Collection
Identifier: SC-025

Abstract

The John and Nora Wise Papers document the collecting of Pre-Columbian art and artifacts for their personal collection and for resale as John Wise Ltd., and John Wise's work as a dealer. The collection consists primarily of correspondence with buyers and sellers. The collection also contains records of the Wise collection on exhibition, notably "The John Wise Collection of Ancient Peruvian Art" at the Wadsworth Atheneum in 1937, "World of Ancient Gold" at the New York World's Fair in 1964, and "Ornamental Costumes from the John Wise Collection of Ancient Peruvian Textiles" at the Los Angeles County Museum of Art in 1971-1972. The remainder of the professional records pertain to the operations of John Wise Ltd. and include inventories, invoices, purchases, photographs, travel, and the card files that catalogue the collection. There is also a small amount of personal material, primarily correspondence, John Wise's Rolls Royce, and personal photographs of the Wises and their property in Cornwall, Connecticut.

Dates

  • 1918 - 1986
  • Majority of material found within 1933 - 1981

Conditions Governing Access

This collection is open for public research. Researchers must make an appointment to view this collection.

Biographical or Historical Information

John Carroll Wise was born in Roanoke, Virginia on November 27, 1901 to Robert and Marcella Wise, and was the grandson of a former govenor of Virginia. After graduating from Harvard University he moved to New York to begin a career as a stock broker on Wall Street in 1920. He and Nora were married on June 1, 1929. After the stock market crash of 1929, John and Nora moved into the Westbury Hotel at Madison Avenue and 69th Street and survived by selling the family silver, antiques, bric-a-brac, and paintings. Among the paintings sold was "Fur Traders Descending the Mississippi" by George Caleb Burroughs and is now generally acknowledges to be Burroughs' masterpiece; the painting was sold to the Metropolitan Museum of Art for $1,500.00. Wise, recognizing the possibilites of dealing in art as a business, established a firm, John Wise Ltd. in 1931. His first acquisition was Minor C. Keith's collection of pre-Columbian art pruchased from Keith's heirs. The firm was devoted to acquiring and handling pre-Columbian textiles, sculptures, ceramics and metals, but solely on those of artistic merit. Wise is often credited as the first art dealer in the United States to market pre-Columbian objects as art. In 1935, Wise exhibited his collection at the Fogg Museum in conjunction with the Harvard Tercentenary. This exhibition is considered the event which removed many pre-Columbian objects from the realm of archaeology to the realm of art and gave art museums impetus to collect in the field. Wise would go on to sell objects to many museums before establishing the collection at the Dallas Museum of Fine Arts in 1976, including the Cleveland Museum of Art, Brooklyn Museum of Art, Montreal Museum of Fiine Arts, Los Angeles County Museum of Art, Cranbrook Foundation, Metropolitan Museum of Art, and many others. Wise also sold to and advised individuals who built notable private collections including Robert Woods Bliss, Harold Bache, Harry and Irene Beasley, Christian de Guigne, Alfred Glassell, Jr., and Nelson A. Rockefeller, many of which have ended up in museums. Though he focused on pre-Columbian works, he also sold some African, Pacific Islands, and Northwest Coast American Indian objects. In addition to dealing, Wise also lent his collection to museums for exhibition, including the Fogg in 1935, Wadsworth Atheneum in 1937, and Los Angeles County Museum in 1971-72. A notable exhibition that Wise developed was "World of Ancient Gold" for the 1964 New York World's Fair. Wise often traveled to South and Central America establishing relationships with sellers and sources of material including Guillermo Aurich B., Carlos Balser, Karl Curtis, Francisco Junger, Sven Karrell, Larco family, Guillermo Salazar, Juan Salinas, Antonio Sierra, and Baron Walram von Schoeler. Wise was not a scholar, but a connoisseur. He befriended many scholars including Samuel Lothrop, Philip Ainsworth Means, Junius Bird, Wendell Bennett, and Michael Coe. John Wise died on June 13, 1981 in Sharon, Connecticut. Nora Wise was born Nora Elizabeth Howell on October 16, 1901 in Halifax, Nova Scotia, but grew up in New York City. Nora and John were married on June 1, 1929. Nora was Vice President and Secretary of John Wise Ltd. and managed the many details of the business and gained experience in handling, installing and conserving the ancient works of art in the collection. Nora died on July 24, 1986. The Wise collection was sold to the Dallas Museum of Fine Arts in 1976, with additional pieces on loan, which eventually were gifted to the museum as bequests from the estates of John Wise and Nora Wise. The collection contains 2,700 pieces of art from pre-Columbian Central and South America.

Note written by Hillary Bober

Extent

24.67 Linear Feet

21 Cubic Feet

Language of Materials

English

Arrangement

The John and Nora Wise Papers have been divided into two series: Professional and Personal. The Professional series, the bulk of the collection, contains papers documenting John Wise's collecting and work as a dealer and expert in Pre-Columbian art, primarily Ancient Peru. The Professional series is arranged in six subseries: Correspondence, Exhibitions, Operations, Photographs, Reference and Card Files. The Correspondence subseries includes correspondence to and from John and Nora Wise regarding purchases, sales and general expertise and is arranged alphabetically by correspondent. The Exhibitions subseries documents the exhibition of John Wise's collection for both scholarly exhibition and sale shows and are arranged chronologically but date of exhibition. The Operations subseries contains records of the activities involved in being a dealer and running John Wise Ltd. and includes inventories, inventory photographs, purchases, sales, and other office management; the subseries is arranged alphabetically by topic, and chrologically within a topic. The Photographs series contains research photographs and are arranged alphabetically by topic; these may or may not be part of the Wise Collection or inventory. The Reference series contains reference and research publications. The Card Files are a catalog of the collection and include acquisitions, sales, and textile-specific cards; see descriptions for each box for more information on the arrangement of the card files. The Personal series contains papers that are not related to the Pre-Columbian art collection, though it is sometimes mentioned in correspondence in addtion to primarily personal topics. The series is primarily correspondence and separates correspondence of John and Nora; if not specified as either the correspondence was addressed to both. There are also papers that relate to John Wise's automobiles, primarily his Rolls Royce, and their property in Cornwall, CT. The Personal series also includes photographs of John and Nora, the automobiles (Rolls Royce and Jaguar), and their Cornwall property.

Immediate Source of Acquisition

Records were donated to the museum by Silas Mountsier, the exectutor of the Nora Wise Estate in 1987.

Related Materials

2015.018 - Wise Collection Records

Processing Information

Records were partially processed by Sarah Evans in Fall 2009 as a practicum project. Processing was completed by archivist Hillary Bober in Fall 2015.

Curators John Lunsford and Carol Robbins reviewed the collection, disrupting original order.

Additional description/notes were added for DACS compliance and ArchivesSpace local usage guidelines in 2021.

Title
Finding Aid to the John and Nora Wise Papers
Author
Hillary Bober
Date
11/30/2015
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the Dallas Museum of Art Archives Repository

Contact:
1717 N. Harwood St.
Dallas TX 75201 US