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Edith Baker Papers & Gallery Records

 Collection
Identifier: SC-056

Scope and Contents

This collection contains materials documenting Edith Baker's career as a gallereist and practicing artist. The arrangement follows this duality with series for personal and professional practice.

The personal series contains documentation of Baker's art practice, teaching and art-related affiliations. This includes sketchbooks, sculpture ideas, personal writings and notes, photographs of her artworks, exhibitions, teaching, and membership in the Texas Socity of Sculptors. The series also contains Baker's self-published memoir of her life. Files within the personal series start off with the memoir and are then arranged alphabetically by folder title.

The professional series contains documentation of Baker's professional education, service and awards as a Dallas gallerist. This includes her work as founder of DADA (Dallas Art Dealers Association) and EASL (Emergency Artist Support League), and reciept of the Legends Award in 1997. The bulk of the professional series is documentation of the Edith Baker Gallery, though. Gallery records include operations and exhibition files. Exhibition files may include: gallery mailing postcard, press release, clippings, artist CV, artist statements, and WRR Art Matters scripts. The collection documents Edith Baker Gallery exhibitions from 1985-1999; older exhibitions have more documentary materials.

Dates

  • 1969 - 2018
  • Majority of material found within 1984 - 2000

Conditions Governing Access

This collection is open for public research.

Researchers must make an appointment to view this collection; contact the archives at archives@DMA.org.

Conditions Governing Use

Baker family retains copyright of Edith Baker's Memoir.

Biographical / Historical

Edith Arie was born on 5 May 1923 in Sofia, Bulgaria. The Arie family owned and operated a cosmetics factory in Sofia, and were Jewish. Edith graduated from the American College of Simeonovo in 1943 with a proficiency in eight languages. That skill propelled her into a position with the American Joint Distribution Committee (AJDC) as an interpreter. The AJDC, under the direction of her future husband, an American citizen, was ultimately responsible after World War II for the resettlement of 40,000 Jews in Israel.

Edith was among the 40,000, marrying Fred Baker in Israel in 1949 before emmigrating again, to Chicago, Fred's hometown.

Edith's extensive studies at the Art Insititute of Chicago were a prelude to her continued scholarship in Dallas in the early 1950s. She studied art with the city's prominent core of contemporary artists including Octavio Medellin, Otis Dozier, Deforest Judd, and Jerry Bywaters through the Dallas Museum of Fine Art's Museum School.

A period of travel and study of art history and painting in France and Portugal, where she also had family, ended when the Bakers returned to Dallas in 1963. Edith established her own studio, continuing her art practice, and added lecturing on modern art at Temple Emanuel, and teaching painting from her garage studio for 15 years to her repertoire.

While continuing to teach, Edith agreed to become a partner in opening a local art gallery in 1977, called Collector's Choice Gallery. That gallery ultimately evolved as Edith Baker Gallery with a concentration on the work of local and regional contemporary artists, evidencing her devotion to the local artistic community and climate. Collector's Choice and Edith Baker Gallery were located at 5960 Royal Lane.

Baker perceived the development and direction of the Edith Baker Gallery from a dual viewpoint, largely the result of her extensive background as an artist, educator, and advisor to individual and corporate collectors.

The Edith Baker Gallery celebrated its 10th anniversary in 1987 by relocating the gallery from Preston-Royal to near The Crescent at 2404 Cedar Springs, at Maple.

Baker sold the Edith Baker Gallery to Assistant Gallery Director Cidnee Patrick in 2001.

Edith and Fred Baker (d. 2010) had two children, Jeff Baker and Rini Andres, and one granddaughter. Edith died on 14 March 2021, at the age of 97.

Sources for biographical history:

Edith Baker Gallery 10th Anniversary, Profile: Edith Baker (Box 2, Folder 8);

Life Interrupted: A Memoir by Edith Arie Baker (Box 1, Folder 1);

Edith Baker obituaries (Box 1, Folder 16)

Extent

1.0 Linear Feet

Language of Materials

English

Abstract

This collection contains materials documenting Edith Baker's career as a gallereist and practicing artist. The arrangement follows this duality with series for personal and professional practice. The personal series contains documentation of Baker's art practice, teaching and art-related affiliations. The professional series contains documentation of Baker's professional service (DADA, EASL) and owner of the Edith Baker Gallery.

Arrangement

This collection has been arranged in two series: personal and professional. The personal series contains documentation of Baker's art practice, teaching and art-related affiliations. Files within the personal series are arranged alphabetically by folder title. The professional series contains documentation of Baker's professional service and awards as a Dallas gallerist. The bulk of the professional series, though, is a subseries of Edith Baker Gallery Records. A further subseries contains doucmentation of gallery exhibitions arranged chronologically by opening date.

Immediate Source of Acquisition

Gift of Corinne Andres

Collection transferred to DMA by Corinne Andres on 9 November 2021. 2021-12-09

Collection accessioned by Hillary Bober on 9 December 2021.

Separated Materials

Publication transferred to Mayer Library: Jim Cogswell - Cosmogonic Tattoos, Lisa Bessette (editor), University of Michigan, 2017

Processing Information

Collection processed by Hillary Bober; processing completed on 19 July 2023.

Title
Finding Aid to the Edith Baker Papers and Gallery Records
Status
Unprocessed
Author
Hillary Bober
Date
2021-12-09
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the Dallas Museum of Art Archives Repository

Contact:
1717 N. Harwood St.
Dallas TX 75201 US