Box 118
Container
Contains 12 Results:
Henry Moore, Sculpting the 20th Century, 25 February-27 May 2001
File — Multiple Containers
Scope and Contents
Box 62 [Exhibition Concept, Lenders]; Box 63 [Catalogue]; Box 64 [Catalogue, Rights and Reproductions]; Box 65 [Research, Chronology]; Box 66 [Correspondence Funding, Sculpture Garden/Fleischner]; Box 67 [NEH Grant, Checklists, Dimensions, Insurance]; Box 68 [Labels, Development, Publicity, Marketing, Education, audio Tour, Opening events, Press Coverage, Evaluations]; Box 69 [Image Notebooks, Unused Images, Moore sculpture, Moore exhibition at National Gallery of Art (press coverage)]
Dates:
25 February-27 May 2001
Misc. Installations, 1992-2003
File — Box: 118
Identifier: Series 1
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
1992-2003
Tamayo: America, February 1996
File — Box: 118
Identifier: Series 3
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
February 1996
Out of the Vaults: European Silver and Gold from Dallas Collections, 5 December 1998 - 28 March 1999
File — Box: 118
Identifier: Series 5
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
5 December 1998 - 28 March 1999
Woven Coverlet from the Bybee Collection, 15 March - 15 August 1999
File — Box: 118
Identifier: Series 6
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
15 March - 15 August 1999
Concentrations 35 Richard Patterson, 2000
File — Box: 118
Identifier: Series 9
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
2000
Munger Society, October 2001
File — Box: 118
Identifier: Series 10
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
October 2001
Wolfgang Laib: A Retrospective, 29 May - 2 September 2001
File — Box: 118
Identifier: Series 11
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
29 May - 2 September 2001
Seeing God: Art and Ritual Around the World, March - June 2000
File — Box: 118
Identifier: Series 13
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
March - June 2000
Gateway Gallery exhibitions, 2000
File — Box: 118
Identifier: Series 14
Scope and Contents
From the Collection:
This collection contains exhibition records transferred to archives from an exhibitions file room. The exhibitions department is the primary creator of the records in this collection, though they may also contain records created by the curator in charge of the exhibition. Records may include but are not limited to: attendance, checklists, contracts, planning, budget, funding and sponsorship, correspondence and memoranda, loans, insurance, shipping, tour venues, catalogue, programming, audio...
Dates:
2000